Wigs wonderful tips

Wig, the ancient Chinese said Di Wig, Biti, who refers not naturally grow back hair, wearing makeup for various reasons deliberately artificial simulation of hair. "鬄" is the general name for wigs , and "髲" refers to wigs made by people. Chinese people have long had the habit of wearing wigs. At first, they were the ornaments of women in the upper class, added to the original hair, making them thicker and able to make more complicated hair. The wigs prevailed during the Spring and Autumn Period, and the Han Dynasty established hair and hair accessories based on Zhou Li. During the Three Kingdoms period, women also used fake shackles; after the Northern Qi Dynasty, the form of false shackles developed in the direction of singularization, until the Han women began to use a false swearing in the Yuan Dynasty. The style of cockroaches that appeared in the Qing Dynasty was still a lot. However, after the founding of the Republic of China, the hair style became simpler and easier, with fewer wigs and false wigs. Japanese traditional hair styles are often added with a wig comb. Wigs have a long history in Japan. It is said that in the original songs and dances of Japan, people used grass and flower stems and vines to decorate their heads. On the Korean peninsula, the Korean dynasty began to wear fake cymbals, and the loyalty king ordered the Korean national to wear Mongolian clothes and Mongolian hairpins (editing). Later, the Korean ancestor Li Chenggui established the Korean dynasty (Li's North Korea), adopting the policy of “male descending women and not falling down”, males reverted to the Han system, and women “mongered in parallel with Mongolia and Han”, and later developed into a “coronation” style. At the time of the ancestors, there were women who had broken the neck and died because of the overcrowding. The palace had only revoked the requirement that the married royal women and women officers must wear coronation.

China
In the Tang Dynasty women in the 簪 仕 仕 仕 仕 很 很 很 很 很 很 很 很 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女 妇女Make more complicated hairpins. "The Book of Songs, Hurricane, and Gentleman" refers to a wig called "deputy" and also refers to "disdain." [1] [2], “髢” is a false wig made from a partial wig or a hair. "The Book of Songs, Zhaonan, and Picking" is called "the quilt" compiled by the wig, and it is the sin of the sin [3].
In "Zhou Li", the wig is subdivided into a variety of, "deputy" is taken as "overlay", which is a decorative wig; "edited" belongs to an unadorned wig; "secondary" is a kind of wig with I am really co-edited. Later, these names were replaced by "髲" and "鬄", "髲" refers to the wig made by humans, and "鬄" refers to the wig. The aristocratic women of the upper class, such as the Queen of the Western Zhou Dynasty and Mrs. Jun, must wear jewellery such as deputy, editor, and secondary when participating in major activities such as sacrifices. The Queen’s false defamation has a special court official “chasing teacher” to take charge of.
During the Spring and Autumn Period, the wig prevailed. "Zuo Chuan Aigong 17 Years" records that Wei Zhuanggong saw the wife of Zhangzhou people on the city wall, and his wife was very beautiful. She ordered her hair to be shaved and made into a wig. The lady Lu Jiang as a decoration, called "Lv Jiangyan" [4]. At that time, men also wore wigs. "Zhuangzi Tiandi" mentioned that there was a wig that covered the bald head with a wig [5]. Although the content of Zhuangzi about 舜 is a legend, it can be seen that men also use wigs.
The Han Dynasty developed hair and hair accessories based on Zhou Li. For example, the Empress Dowager still carries a variety of heavy and complicated headwear with false twists, which later evolved into a heavy phoenix crown. In the palace, the demand for wigs is large. In order to find people to make wigs, some bureaucrats even forcibly cut down the heads. "Tai Ping Yu Lan" quoted "Lin Biao Ji" as saying that Zhu Ya (also known as Zhuya, today Hainan Island) has many long hairs, the local county guards greed and brutality, cuts women's heads and takes their hair to make wigs [6 ] "Three Kingdoms, Wu Shu, Xue Zong Chuan" also recorded that Xue Zong mentioned this incident in the Han Dynasty [7]. It can be seen that the wig was regarded as a treasure at the time. Since the wig made by the real hair was not easy to come by, the wig made of black silk thread began to appear at that time, and the Han Tomb of Mawangdui No. 1 in Changsha, Hunan Province was unearthed.
In the Three Kingdoms, women also used fake shackles. Cao Weishi stipulated that the jewellery of the maidens was stipulated. The "Professional Examination" records one of the fake nicknames as "big hand shackles", which is the jewellery of nobles and ladies under the wife [8]. During the Jin Dynasty, wigs and false shackles were popular in courts, nobles, and folks. Because people used wigs and fake wigs to be placed on wooden or bamboo cages when they slept, they looked like human heads, so they were also called fake heads. "Jin Shu·Yi Shi Zhi" records that all the women at all levels wore a fake plaque with gold ornaments and "covering shackles". During the Taiyuan years, women in the princess, nobles, and literati class used wigs as a makeup, which was called “slow and scorn”, which is Matsuzaka, and became a fashion [9]. However, wigs are not affordable for everyone. "Jin Shu" records that some poor but beautiful women will wear fakes to others, called "borrowing", claiming to be "headless" [10]. Some poor people sell their hair to exchange money or change food. For example, Tao Xun’s mother once cut her hair and sold it to a wig. In exchange for a few glutinous rice, she cut the column and made firewood. Fan Yi, who is staying, cooks. "Shi Shuo Xin Yu·Xian Yuan" also recorded this incident [11], and later generations were cited as beautiful talks, and also an allusion to the idiom "Taomu Guest".
The form of the Northern Qi Dynasty's falsehood developed in the direction of singularity. The book "The Northern Qi Book and the Young Master" described the pattern of flying, dangerous, evil, and partial. At that time, the wig even completely replaced the hair growing on the head. "The Collection of Different Records" recorded that some women who were beautiful in the court shaved their hair to wear wigs, and later became popular with the people [12].
In the Tang Dynasty, wigs were still very popular. "New Tang Book and Five Elements" mentioned that Yang Guifei usually likes to wear fake pimple, which was called "Yi 髻" [13]. However, some people think that the shackles worn by Yang Guifei are made of other materials such as wood, not wigs. Yuan Zhen's "Tracing the Trip" wrote: "Yi combs and dances Cao Po." [14] "Cong Yu" is the wig installed. Liu Zongyuan also praised Cui's "髲髢峨峨" [15] in the "Emperor of the Longzhou staff, Xue Jun wife Cui's Epitaph". The wig at that time was biased towards the sorghum style.
Yongzheng emperor wears western-style clothing, wears western-style wigs, and uses the trident to stab the portrait of the tiger. The Five Dynasties and Ten Kingdoms continued the custom of the Tang Dynasty. They often used wigs to join their hair and comb them into hair, or directly braided the wigs. Fake and then put on. The Song Dynasty was still popular with sorghum, and it was more than the Tang Dynasty. Wigs and fake cockroaches are very popular. In some bustling metropolises, there are shops that specialize in producing and selling fake shackles. At that time, some shops were sold as fake sputum with unsterilized dead hair, which made the wearer sick, and the pretending to prevailed to form a luxurious atmosphere. "Song Shi·Zhi·Yifu" was the second year of the arch (989) Northern Song Dynasty The court banned women from wearing false shackles and combing sorghum [16] but the atmosphere was formed, even if the squats did not change much.
During the Yuan Dynasty, Han women began to use a kind of fake scorpion called 鬏髻, which was made up of hair or silk thread cut by others. It was put on the head when it was used, and it was used by the Yuan, Ming and Qing dynasties. In the fourth episode of Wang Shizhen’s drama "The West Chamber" of the Yuan Dynasty, he mentioned Cui Wei’s "鬏髻儿歪" [17]. At the time, there were often poor people selling hair for wigs. At the end of the Yuan Dynasty, Gao Ming’s drama "Yi Ji" had Zhao Wu Niang forced to sell her hair for the burial of her in-laws. [18] The Ming Dynasty Xi Zhousheng’s "Awakening Marriage Story" also mentioned that women wear pointed toe [19] except 鬏In addition to the sputum, the fake scorpion style commonly used by women in the Ming Dynasty also has a drum, which is made of a round frame made of wigs covered with a wire.
There were many enamel styles that began to appear in the Qing Dynasty. At that time, there were workshops and shops specializing in the production and sale of gongs in Beijing. In early Qing Dynasty, there were butterflies, moons, flower baskets, folding items, Luohan, lazy combs, Shuangfeiyan, inverted pillows, and eight-faced Guanyin. In the "Outside of the Confucian Scholars", Wu Jinglian wrote the wife of Fan Jin, who often wore silver silk fakes [20]. At that time, women not only wore black cockroaches in peacetime, but also wore white cockroaches when they were mourned.
In the middle of the Qing Dynasty, Westerners brought Western wigs to China, and Emperor Yongzheng also wore Western-style wigs. Some people went to Japan to study in the late Qing Dynasty, and their hair was teased by the Japanese as "porpoise tail" (pigtail). Many foreign students cut off their scorpions and returned to China to put on falsehood. For example, Lu Xun went to Japan to study abroad and cut it. After half a year, he returned to China to put on a fake shackle, and arranged arrangements with his parents to give his wife Zhu An a wedding ceremony [21]. Shen Ning's "Bai Shi Men Feng" also mentioned the phenomenon of pretending to be fake, the kind of false 辫 盘 盘 盘 , , , , , , , , , , 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团 团When it was found that it was a fake group, it was arrested and tortured by the governor and then sent to jail or killed. [22] Su Xuelin also mentioned in her article "I am before and after the Revolution of 1911" that her second uncle went to Japan to study abroad, and "disarmed and modified" in the local area. After returning home, he installed a fake 辫 [23].
After the founding of the Republic of China, hair styles became easier, with fewer wigs and false wigs. However, when Zhang Xun was restored in 1917, the people in the city of Beijing cut off the scorpions and found the false shackles. After that, they rarely saw the Han people use wigs in their daily lives until the establishment of the People's Republic of China. The ethnic minorities have some habits of wearing wigs. At that time, the Yongning Naxi women used the hairs on the tail of the yak to make a large fake scorpion, which was placed on the top of the head, and then wrapped around a large circle of blue and black. Color silk thread, hanging down to the waist.

Japan <br> sparse hair combed To figure who Heian women Unai, he shall add hair wigs are often combined with traditional Japanese-style fake comb, said the Japanese wig for the Rosary ( "Rosary" in ancient Chinese language The meaning of this meaning is beautiful hair style, without the meaning of wigs, Japanese writes the pseudonym "かつら" into the Chinese character "鬘"). Wigs have a long history in Japan. It is said that in the original songs and dances of Japan, people used grass and flower stems and vines to decorate their heads. The "History of the Ancients" and "The Book of Japan" have mentioned that the 盏呜 盏呜 求 求 求 求 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天 天The contents of the Japanese Book of Records contain many elements of mythology and legend, which may not be consistent with historical facts. However, according to the age of the two books, the Japanese mascots should generally use wigs no later than the Nara era.
In the early days of the Japanese, wigs were rarely worn outside the acting. Later, in general, some people wore wigs, mostly women. The wigs they wear are often woven with the hair cut from their heads. They also wear this kind of wig from their own wedding. After that, Japanese ancient women often use wigs and fakes. Later, it is combed into a traditional hairstyle. This type of wig attached to the original hair is called "é«¢".

The woman's legal system for making wigs by Ge Chuan Guofang stipulates that women under the six-seat position should wear “髻髻(ぎけい)”. Women's hair in the Heian period will also be filled with wigs. Later, it evolved into the use of both crusting and cocoon. When the crusting is used, the root part of the crucible is called "root (髢)" and it is good for the crucible. "鬓蓑(びんみの) "When the court woman's large hair will also add a wig as a part of the sag, it is called "long 髢 (ながかもじ)", and the front amp will also use the "pill 髢"まるかもじ)".
After the Showa era, the number of people who often combed traditional Japanese hairstyles was reduced, and the use of wigs was reduced. Usually, they were only used when combing traditional hairstyles, such as the witches of the shrine. In addition, some women who want thicker hair will also use wigs.

North Korea <br> The Korean women wearing the crowned Korean women’s peninsula began to wear fake plaques in the Korean dynasty. The loyalty king ordered the Koreans to wear Mongolian clothes and Mongolian hairpins. Later, the Korean ancestor Li Chenggui established the Korean dynasty (Li's North Korea), adopting the policy of “male descending women and not falling down”, males reverted to the Han system, and women “mongered in parallel with Mongolia and Han”, and later developed into a “coronation” style.
By the time of the ancestors, there were women who had broken the neck and died because of the overcrowding. The palace only revoked the rules that married women and women must wear coronation, and banned it. Since then, it has only been crowned in wedding dresses and court dresses. Coronation), wear in the clothing.

The Queen of Mingcheng wears a portrait of the coronation in the early to mid-term of Li’s North Korea, and married women, twins, and senior female officials (Shanggong) will wear the coronation. The crowning of court women and women's dresses and women's uniforms is also crepe paper, which can be distinguished from the style of crowning. Coronation is also a symbol of identity and wealth. The coronation of rich people, aristocratic women and twins can be great. Later, in the palace, a kind of wood false 叫 called "lifting head beauty" (거두미) was developed on a major day. Add to the crown.
Later, women’s coronation grew larger and bigger, forming a luxury atmosphere. Later, more women were overthrown by the crowning of the neck. The Korean ancestor had ordered the reduction of each wig used in the palace, and discussed with the ministers. Replace the crown with a corolla, but there is no consensus. Later, he adopted the admiration of Confucianism, Song De, and the ban, and ordered the banned women to crown and change to wear a small corolla called the cluster head. [25]. In the thirty-three years of the ancestors, the women in the palace and the women were formally banned from coronation [26], and only civilians and women were allowed to crown [27]. Later, married women changed the scorpion into a bun and inserted the bun without wearing a coronation. Twins are still popular to wear coronation. In the later period, the official wife, the royal woman wore a round shirt (a small dress) or was wearing a formal occasion.
Ancient Egypt <br> The wig used by the ancient Egyptian Pharaoh Thutmose III. The ancient Egyptians used wigs more than 4,000 years ago. They were also the first people in the world to use wigs. They began to spread in the early dynasty. From the third to the sixth dynasty, it is common for both men and women to wear wigs made of wool mixed human hair. The length and style of wigs vary according to social status and the times. From the Kingdom of the Middle Kingdom, regardless of the rich and the poor, status, gender, shaving hair and beard, wearing a wig, fake beard, will only let the hair grow when the mourning, otherwise it will be ridiculed. For this phenomenon, the ancient Greek historian Herodotus believed that the ancient Egyptians felt that the head of the sun would make the sun harden, but there is no scientific basis and it is impossible to explain the habit of wearing wigs. Later, some people thought that the ancient Egyptians loved to clean, hair and beard were easy to hide, so they shaved their hair and beard and put on a wig that prevents the head from being sunburned by the sun. However, some people questioned that wearing a wig instead of a real hair is not necessarily the case. Better than leaving hair clean. It has been suggested that although ancient Egyptians can wear wigs besides the Dalits, the styles of wigs worn by people of different classes are strictly regulated and cannot be survived. Zhao Lixing puts this point in the book "Wisdom of Ancient Egypt". He believes that the ancient Egyptians wore wigs to distinguish between nobles and ranks, and to shape the glorious image of Pharaoh. Has political and social significance [28]. In addition to fake hair, pharaohs, male nobles and officials, and fake beards are symbols of identity and power.
The wigs of ancient Egypt mainly have two styles of curls and scorpions. Because of the mythology of ancient Greece, the gods have gold flesh and lapis lazuli hair, so the wigs of nobles are often dyed blue. In general, women's wigs are more natural, and men's wigs are more complicated. The length of the wig in the ancient kingdom ranged from the ear to the length of the shoulder. At that time, there was no habit of shaving the hair. Just leave a short hair and a wig, or add the wig to the real hair in a way. The royal or aristocratic woman will bundle the long wig into three scorpions. After the kingdom, the female wig fell vertically on the shoulder from the top of the head along the face, and occasionally a small strand of hair rolled into a spiral. Men are always maintained at the length of the shoulders or shorter, shaped by small hair, in a small triangle or square, cut horizontally in front of the forehead, or curved into a curved shape, wearing a small part of the forehead when worn, completely covering both ears and the back of the neck. The untouchables are covered with plain scalp. The New Kingdom Egyptians prefer to sew the tail of the wig with several long tassels, of which the Amarna era is more popular with short wigs.
The mummified coffin is covered with a wig and has a wide variety of wigs. It is suitable for special occasions as a headgear. Ancient Egyptian women will wear a fragrant conical ornament on the gorgeous wig when they attend the festival. The balm will melt over time and infiltrate into the wig to give off a burst of fragrance. Some wigs also add mats made of date palm fiber to make the wig more plentiful. In addition to using wigs during their lifetime, the ancient Egyptians will also be buried with wigs. They think that they need to wear wigs when they go to another world. Archaeologists also find wigs for funeral burials in many ancient tombs.
The material of the wig is real hair, wool or plant fibers such as straw and date palm fiber cut from the human head [29]. Among them, the most advanced and most expensive ones are made with real hair. The medium price is mixed with the real fiber. All cheap are made from plant fibers. Some wigs and hair wigs are made by weaving methods and flower knots. Some are fixed on the scalp with honey wax, resin or beeswax, and they are tied with a belt like a hat.
Because the ancient Egyptians attach importance to wigs, they will distribute the fakes that are not worn in a special box and put them in a storage rack or box. They often sprinkle petals, cinnamon wood chips, balsam, etc. on the wigs, so that the wigs are scented. aroma. In addition, the wig manufacturing industry was also a respected industry at the time, and it was also one of the types of work that women could do. Archaeologists have discovered the remains of many local wig workshops.
Ancient European wigs were transmitted from ancient Egypt to Europe. Ancient Greece and the ancient Romans believed that bald people were punished by heaven and regarded bald people as sinners. Hair thinning or bald officers will be refused to arrange work for them by the chiefs of some Greek territories. The Romans even intended to let the parliament pass the "bald decree" to ban bald men from running for parliament, and bald slaves can only sell at half price. In order to avoid discrimination, balds wear wigs to cover this embarrassment. The wig was further popularized. During the Roman Empire, many Europeans used wigs, and even the emperor wore wigs. During the war, the hair of the enemy and the civilians often served as trophies to the court. Some nobles will also shave the hair of the slave to make a wig. The custom at the time was that married women had to cover their hair, and some poor married women sold their hair for money. Some poor farmers will also bundle their hair into a bun, and cut it to sell to the wig market when it is long enough [30].
In the millennium after the fall of the Roman Empire, Europe was influenced by the Roman Catholic Church and regarded the wig as a mask of the devil, arguing that wearing a wig would hinder the blessing of God into the soul. At that time, if a wig was wearing a wig, it might be expelled from the church. In 692, several church members in the church in Constantinople were deported because of wearing wigs. Therefore, Europeans rarely used wigs during this period.
The Queen Elizabeth I wearing the red wig until the sixteenth century, the wig was once again popular, used as a cover to cover hair loss or beautify the appearance of jewelry. The harsh sanitation environment made it easy for people to grow their heads. Some people shaved their hair and put on wigs. Therefore, in ancient Europe, wigs have practical functions in addition to decorative. But the revival of the wig was mainly due to the love of the royal family. Queen Elizabeth I of England was known for wearing a red wig. The pioneer of the Roman wig in the seventeenth century was the French King Louis XIII. He wore a wig to cover the scar on his head. In order to please him, the nearest minister wore a wig. Louis XIV, the son who inherited his throne, also wears wigs because of thinning hair, so the subjects have followed suit. At that time, there were 45 kinds of wigs, and even those with thick hairs liked to catch up with this fashion. Later, the wig became a symbol of the era of the great monarchy.
After a period of exile in France, King Charles II passed the men's wig to the English-speaking country when he returned to China in 1660. This length and shoulders or slightly longer than the shoulder wigs became the fashion of European men since the 1620s and soon became popular in British courts. London diary writer Samuel Pepys wrote the first time he wore a wig after being shaved by a barber on a certain day in 1665. When the black death broke out, he felt wearing a wig. Uncomfortable [31]:
September 3, 1665: I put on my color silk suit after getting up, very good, and I bought a new wig that I bought for a while but didn't dare to wear it, because I bought it at the Westminster where the plague broke out. After I thought about the plague, people were afraid that wigs were made from hair taken from people who died from the epidemic. If they were infected, no one would dare to buy wigs. What would be the fashion of wigs?
In addition, there are other drawbacks to wigs, such as that posted by Pepys on March 27, 1667 [32]:
I am going to Swan [33] to find the wig geek Gevas, who I have known for a long time. He gave me a wig, but it was full of eggs, so I could hardly see it (this is his old fault), I have to send it back to let He got it clean.
During this period, wigs became almost the necessary clothing for men, and almost represented social status, and the wigs were respected. In 1665, the first wigsmiths union was established in France, and other European countries also established similar unions. The wigs of the seventeenth century were exceptionally fine, so making wigs was also a technique. The wig at that time covered the shoulders, back, and chin, so it was very heavy and uncomfortable to wear. Such wigs are expensive to manufacture, especially for the most expensive ones, and those made with horsehair or goat wool are cheaper.
The 18th century wigs often add powder to make them white or white. The wig powder is made of starch with the scent of neroli, lavender or iris. They are sometimes colored in purple, blue, pink, yellow, etc., but the most common is white. Powdered wigs until the end of the eighteenth century were necessary for some major occasions that needed to be worn. The powdered wig is easy to fall off and difficult to care for, so there are some fake courtroom costumes made of white or white horse hair. Since the 1780s, young men have been popular with powder on their own hair. After the 1790s, wigs and hair powder were used by older, more conservative men, and women were used when they appeared in court. The British government levied taxes on granules every year since 1795. [34] This tax made the fashion of wigs and hair powder fade in the 1800s.
Marie Antoinette wears a prominent pouf style wig in the mid to late 18th century, when women in the Palace of Versailles in France rise to wear large, delicate and eye-catching wigs (like a boat-like shape) wig"). These wigs are very heavy and contain hair wax, hair powder, and other decorations. This gorgeous wig became a symbol of the decadence of the French aristocracy at the end of the eighteenth century, which prompted the French Revolution.
The 19th century wigs became smaller and more solemn, France no longer represented wigs in social status, and the United Kingdom remained for some time. Some professions also use wigs as part of the clothing they wear and become a tradition of certain legal systems and a practice in many Commonwealth countries. Until 1823, the bishops of the Anglican Church and the Irish Anglican Church wore wigs during religious ceremonies. The wig worn by the barrister is a popular style at the end of the eighteenth century. The wig worn by the judge in conjunction with the court costume during the weekday trial is similar to the short wig worn by the barrister, but they will wear a full cover when they attend the major ceremony with the Queen’s Counsel. Wig.
The development of women's wigs is different from that of men's wigs. It was only popularized in the 18th century. In the early days, it was mainly based on the wigs of the wigs, and it was not popular until the 19th and early 20th centuries. Wigs, mostly worn by old women.
From the 18th century to the beginning of the 20th century, many poor people in Europe sold their hair to make wigs. According to the Encyclopedia Britannica of 1911, rural girls in the poor and backward Balkans often cut their hair and sold their hair, and rural girls in southern France cultivated and sold hair. Female writer Catherine Hale once cut her hair and sold money for tuition. At that time, some people who made wigs in Europe were from the United States. During the American Civil War, a woman named Delia wrote to the media, urging all female supporters of the Southern Confederation who were over 12 years old to sell long hair to Europe. Pay off the debt of the southern federation. In the novel "Little Women" by American writer Luisa Alcott, there is also a story about Jo March, who sells his long hair.
Chinese Opera <br> In the Chinese opera with the "film" wig, the wig is a part of the "head" (headpiece) in the "head" (collectively called costumes, props) [35], belonging to " One of the soft heads, there are many types, and you will wear a wig show. These wigs are made of real hair, and are also made of yak hair, thick thread, yarn, and the like.
The wig of the male horn (including raw, net, end, ugly) has a full top (all the whole head is wrapped), a half top (the top part of the head is back), and the remaining part of the half wig is called the head. "Piece" refers to the hair piece of the two scorpions and the beautiful tip of the eye. The place where the cheek is placed will be glued with yellow plastic, and the place at the top of the head will be fixed with a hair clip or a plaque. Different characters also have different wigs. Sometimes it will be accompanied by a different style of wig headgear, for example, when it is poor and stumbles, it will be distributed. There are also hair bursts, hair bursts, and baby hair. Hair is also known as water, used to express a variety of emotions such as character panic, anxiety, horror, despair, and even madness. It can also indicate different images such as shawl hair, uneven dress, lost armor, unkempt face, etc. When the monks perform, they often continually shake their long hair to show the physical reaction of the character being struggling, so there is the name of "burst". In addition to styling, it is also a special dance tool. The monks should use the work of the head and neck with specific tumbling techniques to dance and express the emotions, which is called “smart hair”. Playing the middle-aged and old-aged men will wear a fake beard called "髯口". The shape and color of the mouthwash also represent the character's identity, personality, etc., and can also use the action of licking the mouth to express emotions. For "spoken work."
There is a wig called "big head", which uses a wig that is divided into a scorpion, called a "slice". Before affixing it, you should use your hair band to bundle your hair and comb the shovel. Along the hair band, a few pieces with an elliptical shape at one end are used for bangs, and two pieces with sharp ends are placed at two sides. The face is wide and inwardly attached, and the face is small and outwardly attached, and the face can be modified into Melon face. After combing, insert the enamel and other ornaments on the edge of the hair bundle, and match it with a fake tweezer (usually sorghum) made of hair from real hair or other materials, then insert enamel, enamel, beaded, and top. Flower, step and other headdresses.
The type and usage of wigs will vary slightly depending on the local drama, the repertoire, the character, and the role, but the basic styling is similar. Deaf people need to change the appropriate wig according to the development of the plot. From the front, "clothing, helmets, miscellaneous, and put" four suitcases, wigs and sputum will be placed in a suitcase called a box when not in use. After changing to the "six big boxes", the wigs and mouthpieces of the raw horns were placed in the trunk of the "helmet head box" [36], and the wigs of the horns were stored in another suitcase called the "comb table". The technicians who combed the film for the film, makeup, and combing were also organized by the "hair comb table master" [37].

Japanese traditional drama <br> The main characters of the actor who can play wigs (including Shishou, Lian, and Zhi) are the characters of the past. They need to wear masks (faces) to perform, and wigs are used in conjunction with energy. There are two types of wigs, one is to fix the hair on the actor's head and comb the desired hairstyle, and the other is to make the headgear. The types of wigs can be divided into four categories: “鬘”, “尉髪” (じょうかみ), “垂”, and “蓬头”. Some wigs that can be used up to four kilograms.
The most representative of the wigs of the scorpion is the "鬘" (かづら) used for the female horn. The wig is fixed on the head with a comb, from the middle to cover the ears, cover the ears, and gather behind the brain to form a bun. Then wrap the forehead with the sling to the back of the head, and the ends of the sling are hanging from the back. In the five types of dramas, the "San Fan Mu Neng", which is also called "Yu Neng", is a female protagonist. The content is mostly a story about a beautiful woman in the Heian period. The actor must wear this wig when playing a beautiful woman. In addition, the mites also have "姥鬘" (うばかつら) for the elderly female horn, "drinking 鬘" (かっしきかづら) for drinking characters, and long hair.
The other three categories of wigs also have their own characteristics. "尉发" (じょうかみ) is made of yellow-white ponytail hair, the wig is fixed on the actor's head, and then it is brought to the top of the head, and a flat long hair bun is placed over the top of the head for the role of the old man. There are two types of hair buds, one is the "white sag" (しろだれ) for the elderly male, and the other is the "black hang" (くろたれ) for the male, goddess or Shura can be the protagonist of the backcourt. The wig-like wig should be used with the crown cap and the towel, because the top of the head has no wigs, and the round sleeve with the black wig is put on the head, and then the crown cap and the towel are worn. The Pontouflage is a jagged, thick and thick wig made of long ponytail hair in three different colors. The "blackhead" (くろがしら) is used for male souls, monsters, boys and other characters; "Red Head" (あかがしら) Used for characters such as fierce gods, dragon kings, and ghosts. "Whitehead" (しろがしら) is used for characters such as the old dragon king and the old ghost. When you use it, put the hood on your head.
Kabuki Kabuki's "rut" wig style Kabuki uses more wig styles, there are more than one hundred kinds, including more than 60 kinds of wigs for male horns and more than forty types of wigs for female horns. These wigs are heavy, the heaviest can be as much as five kilograms, and the lighter ones are about two kilograms. Before the actor wears a wig, he wears a white hat to pack his hair. The use of wigs is also based on the gender, age, identity, personality, occupation, etc. of the character.
Common wigs are the following. "Car 鬓" (くるまびん) is used by heroes and samurai characters. The two sides of the face are bent outwards. The five 绺 are called "five cars" and the seven 绺 are called "seven cars". [38] . "Pictures" (かたはずし) is used when playing the Wujia female house, with a plaque on it. "Blowing the wheel" (ふきわ) is a wig used by aristocratic women's characters, which is a big hairpin that is inserted with flowers, combs, etc. [39]. "Prince" (おうじ) is used for treacherous horns such as public rebels, and hangs long hair [40]. "Swallow hand" (えんで is also often used in the villain role, because the hair on both ends of the forehead flies outwards, named after the swallow's wings, and there is a skull on the top of the head. [41] In addition, there is a "sickness volume" used by patients. There are many kinds of "chaotic hair" used by the mighty characters.

Western Opera <br> Italian baritone Titta Ruffo in the opera "Rigoletto" wearing a wig model Western traditional drama opera actors will use wigs during the performance, just like other traditional drama, opera use The wig style is also different according to the character's identity, gender, personality, occupation, age background, etc. For example, male characters, heroines, villains, bad girls and other characters will have different styles of wigs, and 17th century characters will use white Big wig. Opera wigs (especially used by the main characters) are made according to the actor's head shape, so different actors will perform the same character in the same play, and the wigs used will be different, which may be used by minor or accompanying characters. Ready-made wig. Some actors will make wigs for the characters they perform, and they will bring their own performances. The opera uses a lot of wigs for each performance. The more characters, the more wigs are used. For example, the Troy of the Metropolitan Opera in the United States in 2002-2003 needs to order 250 wigs. Due to the large number of wigs used, some large-scale opera groups also specialize in making wigs. Personnel and departments can store 5,000 to 6,000 wigs.
Make a mold before making a wig. First flatten the hair of the actor itself, wrap it from the top of the head to the neck with a film or tape, and then draw the hairline of the actor on the film. Then take off the film and place it on a model head that is about the size of the actor's head and padded with cotton. Then continue to apply the film until it hardens to make a mold. The headgear is then formed according to the shape required. The head cover is made of a mesh material, and the front end portion is made of a bud silk fabric which is soft, fine, and not easily perceived by the audience. Then select the appropriate material, color hair, and use a hook tool to tie the hair from different headgear. Then shape the desired hairstyle, such as a hot roller or a pin curl to wig the twigs, braid them, etc. The entire process takes 24 to 40 hours. An ordinary wig weighs about eight ounces, but the wigs of certain characters will be heavier. For example, Cleopatra's long wigs are made of two ordinary wigs. The wigs used will also be larger and heavier.
Custom-made wigs should be tried on the actors two weeks before the official performance, and they will be worn during the rehearsal of the actors to test whether they are comfortable and will affect the performance. If you find a problem, give it to the wig to make it appropriate. The wigs that are not used after the performance should be washed, then placed in an airtight plastic bag and stored with labels indicating the repertoire, character, manufacturer and size. If the wig is dry or the headgear is broken, the hair will be cut to make another wig or fake beard.

Other traditional art performers
In many traditional societies, the identity of an artist is not only a profession but also a social class. The wigs of these artists are not only used to beautify the appearance when performing, but also wear everyday life to represent their identity.

Japanese geisha, dance 妓 <br> The geisha's hairpin often joins the wig Japan's geisha has different hairs according to seniority. These hairpins are often added to wigs, and the wigs used must be never dyed. Really made, the Japanese used to dye less hair. It is not difficult to find the hair of a geisha wig in Japan. Modern Japanese people often dye their hair, so the hair used to make wigs is mostly imported from Southeast Asia. [42] .
To add a wig to the geisha, first add the hair gel from the hair root of the geisha, then pour a varnish, then buckle the wig on the geisha head until the forehead, and then fix it with the hairpin. The geisha's hair style is mostly towering Shimada, and the addition of a wig and a real hair can make the hair more full. Geisha often maintains such hair styles and is therefore one of the characteristics of geisha.
Traditionally, the maiko that has not become a formal geisha in the apprenticeship is smashed with real hair, but many modern Japanese girls don't have enough hair, so some modern maiko will also use wigs.

Artichoke
Dai Jiayu’s twins were all trained in the teachings of the ancient Koreans. The trainees were called “virgins” and they slid a scorpion like a normal girl. Only the nursery rhymes who passed the exam can formally become a deaf student, and a ritual called “panpan” will be put on the ceremonial ceremonies.
The twins in the nursery rhyme stage can't be crowned, and the formal twins wear big and heavy twists even when they are not in the service and performance. When the imperial court prohibited the sectarian women from wearing the coronation, people saw that they were big and heavy, and women with a variety of accessories on them knew that they were official twins.
The color fakes used in performances and masquerades represent a wide variety of performing arts, and many will use wigs.

Modern drama
Wigs in modern drama, including stage plays (musical plays, dramas, etc.), movies, TV series, etc. are also commonly used props, especially for costume dramas, because ancient hairstyles are usually more complicated, in order to reduce the time of combing hair type, and let The actor does not need to maintain a designated hairstyle for a certain role. At the end of the performance, the wigs required for the plot will be prepared in advance, and the actors can participate in the performance as long as they are on one set.
The wig style of the costume drama is usually designed with reference to the background of the era, but for the more prominent visual effects, and some ancient hairstyles are difficult to verify, the wig style of the costume drama is not necessarily the same as the historical hairstyle. When a stuntman is to be used, more than one wig of the same style should be done.
Some fashion dramas also require some actors to wear wigs in response to the role and the need of the plot. For example, an actor who has short hair will play the role of a long hair. Using a wig can save time waiting for the actor to stay long hair. For example, actors who have lost hair due to chemotherapy (such as cancer patients) often have to wear their own hair and wear unnatural wigs to let the audience realize that it is a wig. In the 1944 film "Mr. Sgeffington", Biddy Davis wore a wig after stubborning against diphtheria, making her appear vulnerable. I saw pity.

Other performing arts
Some performing arts events that require special costumes, such as clown performances, fashion show catwalks, singers, etc., also use wigs. Other non-professional performances, such as masquerade, cosplay, etc., often use wigs.

clown
The wigs of clown clowns wearing red wigs are mostly colorful and eye-catching. Although this hairstyle is not impossible to use real hair, it is often caused by perm and dyeing hair, and it is inconvenient to maintain this hairstyle in daily life. Therefore, the wig becomes a necessity for the clown.

Singer singing <br> Hong Kong singer Kelly Chen wears a wig during singing. In recent years, singers pay attention to image packaging. Hair is an important part of the image, so wig is also one of the costumes commonly used by many singers. In particular, when a concert is held, many sets of costumes will be replaced with different songs in a short period of time, so different styles of wigs will be used to match different images, eliminating the need to change hairstyles.

Fashion model
Brazilian model Michel Alves wears a wig fashion show at a fashion show. When fashion models show their costumes on the catwalk, they often wear hairstyles to match the clothes they wear, and they need to change their style in a short time. Some hair styles require the use of a wig to shape or completely replace the real hair with a wig.

Role-playing <br> Some individuals or businesses play certain roles for specific reasons, such as masquerades, promotional activities (such as commercial propaganda, mascots, wealth, elections, etc.) for better visual effects. And it is convenient to change hairstyles, often with wigs.
The wigs that wear wigs to participate in Cosplay activities are part of the masquerade costumes. In addition to the different colors of the simulation hair, these wigs also have wigs made of flash foil, which are often seen during Halloween.
Cosplay is a kind of role-playing. It plays ACG (animation, comics, games) characters. Many ACG characters have different hair colors than human natural hair colors. Players cannot play this role without changing the color of their hair at all. And they generally don't just play a role. If you use hair dye to change the color of your hair, it is not only inconvenient, but also damages the hair. In addition, the length of the hair of the player itself may not be the same as the role played. Therefore, the actor often wears a wig to make the styling more realistic, and it also has the role of the role, but also avoids the inconvenience caused by hair dyeing and hair styling.
William Hogars's 1758 work The Bench, the judges in the painting wore long wigs in the UK and most of the Commonwealth countries, and wigs were one of the courtrooms of barristers and judges. This wig with a black robe gives a solemn, ceremonial feeling and is a symbol of the British judicial system [43].
There are several different ways to wear a wig. Some people think that judges and lawyers wear the specified styles and are obviously fake wigs, giving people the feeling of "dehumanization" [43], which symbolizes the impartiality of the law, and the judge wearing a wig represents the removal of selfish distractions. Becoming the embodiment of the rule of law, impartial and unselfish handling of cases [43], in line with the precision and emphasis of stability and balance that the judiciary requires. Some people think that this means that the judiciary is a formal and solemn act, and it is very ritualistic. It is not a casual act of street and gimmicks. [44] Judges and lawyers wear gray-white wigs, which are highly desirable [45], in line with tradition. In the society, the elders who are eager to understand and understand the situation are the habits of the mediator. When the judge wears a wig, the ruling is easier to convince [44] and represents the authority and importance of the judge [43] [44]. There is also a saying that in order to protect judges, lawyers [45], judges' judgments and lawyers' defense may cause some people to be dissatisfied. Wearing wigs can make judges and lawyers cover up their identities, and they also have no hatred for themselves and the indictees. Regardless of the judgment, it is only the exercise of the powers conferred by law [44]. The wigs used by judges and barristers in the early days were long-term and shoulder-to-shoulder. In 1780, civil cases were changed to small wigs. The wig tie-wig used today is in 1822 and is made of ponytail hair [46]. This kind of court clothing is expensive with wigs. The wigs used by judges are worth about 1,500 pounds, which is about 300 pounds more than the average one. [44][45], the long wig used in the ceremony is more than 4,000 pounds [ 44] [46]. In order to assist judges in the purchase of expensive traditional costumes, the authorities have to give the High Court judges an allowance of about 30,000 pounds, and the circuit judges receive a subsidy of 20,000 pounds [44]. Wigs are expensive because the work of each wig is very fine, and it cannot be mass-produced through machines or production lines. It must be woven and rolled by the craftsman. It takes 44 hours to complete.
Many judges and lawyers have only one wig and never change because they believe that the older the wig, the higher the qualifications in the legal profession. After the law school student is qualified as a lawyer, the best gift the family or friend gives him is a wig made by a famous artist.许多从事假发制作的匠人的技术都是世代相传，而不少假发匠人世家对于每个售出的假发都有要求购买者签名备案，在这些记录中可以找到许多名人的亲笔签名，因为许多知名政治家都是律师出身的[45]。

假发存废争议 <br> 法官于法庭上所用的短假发，有人觉得给人高高在上、难以亲近的感觉，亦有人认为代表法庭的庄严近年有不少国家均有人提出废除法庭服饰使用假发的传统制度。有些人认为假发已经不合时宜，在主张简洁现代化的前提下，法庭服饰应有所变革[47] 。但亦有人认为假发需要保留。假发的存废问题多年来争议不绝。

主张废除
据1999年一项民意调查显示，在英格兰和威尔士，2/3人认为英国法官不知民间疾苦。人们对法官的服饰和假发的反应大多为“不喜欢”、“感觉不好”，也觉得法官戴假发给人高高在上的感觉，令人觉得自己不过是小民一名。该民调亦显示英国人质疑戴上假发的法官能否举行公平的听证或做出持平的裁判。2000年的民调则显示，只有31%的人希望民事法庭法官戴假发[47]。2003年5月英国上议院进行的一个调查显示2/3英国人认为英国法官戴的假发穿的长袍不合时宜，需要改变，但同时也有多数民众认为在刑事法庭上仍可以保留假发和长袍的样式[48]。同年6月英国司法部所做的一个民意调查中，六成受访者认为法庭服饰不合时宜、有被胁迫的感觉[48]以及陈旧落伍[46]、难以亲近[44]。美国第三任总统托马斯·杰弗逊就曾说：“（英国法官）像躲在棉絮下面向外窥视的老鼠”[45]。
一些法官和律师也感觉头戴假发不太舒服，尤其到了夏天，不但感觉闷热，还会发臭[48]。2007年年初英国另一个调查中，显示有57%的律师对戴假发表示不满，原因是这些由马毛编成的假发套造价非常昂贵且不卫生[48][46]，许多人为此经常忍受头皮发痒的苦恼[44]。一些民众甚至认为法官在夏天戴着假发审案情绪不好时可能会把怨气发泄在原告或被告身上。一些多年来忍受戴假发带来之不便的年长法官和律师支持废除戴假发的规定，他们认为法庭不是旅游景点，保留传统与否无关紧要[48]。

主张保留
然而，也有些法官和律师不希望废除使用假发。2000年的调查显示，民事庭里犯罪庭的法官、检察官都不愿摘除他们顶上的假发，认为出庭时戴上假发有助掩饰自己的相貌，避免在法庭外受到干扰和报复。2007年初的调查里也发现，70%法官和律师仍然希望继续在法庭上戴假发，即使他们要忍受在酷暑里头上要顶着半英寸厚的马尾毛[46]，而反对废除庭上戴假发的以年轻的法官和律师居多，他们认为戴上银白色假发可以提高他们的权威，而且取消传统装束会破坏法庭的庄严气氛[48]。
有些民众也认为戴假发的传统有需要保留，这是因为有些人习惯性把假发与地位、身份乃至正义联系起来。事务律师获得出庭权后就因为没戴假发的资格，向上议院提出了好几次陈情都不成功；而不少被告人也优先选择可以佩带假发的大律师为他们辩护，甚至有人认为有否戴假发会影响对陪审团的说服能力[45]。虽然英国政府在2002年所做的民调里，只有42%的英国民众赞成保留法官和律师戴假发和穿长袍的习惯[44]，但2003年5月上议院所做的民调里，在六成受访者认为法庭服饰需要改革的同时，也有多数民众认为在刑事法庭上仍可以保留假发和长袍的样式[48]。

各地对假发的存废 <br> 早于1970年代，澳洲为了顺应家事法庭减少形式、增进和谐的潮流，废除法官及律师必须戴假发的规定。但到1987年，据说是由于发生了多次针对司法人员的袭击，于是又恢复戴假发的制度。英国因为戴上假发的法官和律师吓得一个出庭作证的孩子大哭不止[45]，在1992年取消青少年特别法庭中司法人员佩戴假发的惯例[45]。而英国高等法院商业法庭的法官和律师们就早在1980年代以“服饰形象不合时宜”、“无法与现代商业并进”为由不再于庭上戴假发，改穿“国际服饰”，但民事法庭中执法官员的服饰从1990年以来，历经多次评估始终没有改革[47] 。
1998年，欧文勋爵向上议院遴选委员会提出略微修改着装，改为只穿普通裤子和鞋，但委员会认为“议会礼仪极受重视，议长之职殊为重要。兹放弃大法官之传统装饰，或做略微修改亦即造成降低尊严和权威之后果”。这个提议还招致了来自工党和保守党议员的批评，当时民调也发现多数人认为法官还应该着传统装束，结果改革之事不了了之[48]。
香港在主权移交中华人民共和国后，高等法院和区域法院的原讼庭上，法官和大律师仍然保持英国统治时期戴假发的传统。澳洲则在2007年7月起新南威尔士州上诉法院投票通过于该州的审讯中不再戴假发[49]。英国首席大法官办公室于2007年1月发出文告表示正考虑取消“戴假发”的惯例。
戴女装假发男扮女装的易服者今日，人们在日常生活中有时也会用到假发。有些人想节省打理头发、转换发型的时间，就会戴假发来转换不同的发型样式。脱发或头发稀疏的人也会用假发令自己的头发看上去较浓密，其中一些局部假发就是专为局部脱发的人而设的。由于局部脱发的患者多为男性，而男性脱发多为秃顶（俗称“地中海”），会令外表较为苍老，因此不少秃顶的男性都会佩戴假发，让自己看起来较年轻。一些因为患癌接受化疗而脱发的人，以及圆秃（俗称“鬼剃头”）患者也会戴假发。也有些白发的人为了减少染黑头发的次数而佩戴局部假发遮盖头顶新长出来的白发。
一些名人如美国乡村音乐歌手桃丽·芭顿（Dolly Parton）、美国演员拉蔻儿·薇芝（Raquel Welch）令假发受欢迎。 American singer Cher has worn a variety of wigs in the past forty years – from blond hair to black hair, from hair to straight hair.香港艺人沈殿霞的招牌发型也是以戴假发的方式保持20年，她有多个同款假发供日常替换[50][51]。同是艺人的沈殿霞前夫郑少秋亦有戴假发习惯多年，保持平日头发浓密的形象[52][53][54]。
一些作异性打扮的易服者也常用假发，尤其是男扮女装的易服者常常会戴长假发让自己较为女性化，配合身上所穿的女装。
马尾毛是假发的常用材料之一可用作制造假发的材料有很多，不同时代、地区会用不同的材料，某些特定用途的假发也有指定的用料。
在古代东亚，假发多用人们的真头发制造，也有一些用丝线制造或把两者混合。真发比例越高的越贵，也越高级。古埃及、古代欧洲除人发外，马毛（多用马尾毛和马鬃毛）、羊毛等动物毛发以及植物纤维也是常用作假发的材料，当中也是以人发制造的最贵。现代的假发除了传统的天然材料外，还有一些化学纤维如尼龙、玻璃纤维、人造丝等材料制造，也有些是真发和人造发混合。人发当中又以未染烫过的黑发最好，可以染成不同颜色和较容易造型。一些高级的人造发在外观、手感、色泽、垂度等方面都不亚于真发，但有些低档假发显得粗糙、失真，也不耐看。
由于已发展地区的人很多都有烫发、染发，用作制造假发的人发多在中国大陆、印度和东南亚等发展中地区取得[55]，到印度南部安得拉邦的蒂鲁帕提庙参拜的印度教徒常会到捐献自己的头发以示虔诚，庙里总共雇用了600名理发师为信徒剪发，每隔几天就有成吨的头发从寺庙的仓库运出，送到另一大城市金奈的工厂里进行加工，成品出口到美国、法国等西方国家。寺庙由此每年可以出口90吨头发，所获得的收入超过3亿卢比。2000年代有统计表明，美国发制品市场上的真发有一成人发原料来自印度[56]。
人造发则以日本卡妮卡纶料（kanekalon，业内又称“KK料”）最好，价格亦为最贵。其次是韩国纤维发丝“K丝”、“M丝” [57] 。
把假发放在模型头上有助保持原来的发型任何材料制造的假发用久了都会受污染、变脏，因此使用全顶式假发前最好在发套里缝垫一个发网，既有助于固定，又便于清洗。
假发需要定期清洗或常用梳子梳掉上面的灰尘。先将假发放在盛有少量洗发水的脸盆里浸泡五至十分钟，再轻轻漂洗，用疏齿梳把上面的污物梳掉，切忌用力扭搓。之后用干毛巾吸掉水珠，再梳至原来的发型，放置阴凉处晾干，切忌曝晒和使用吹风机吹干。
每次梳洗假发后后可在假发上擦少许发油，保持假发的光泽。长期不用的假发要在清洗后放至盒子中或模型头上再加上塑料套，既可保持原来的发型，又可避免灰尘和细菌的侵入，不可随意折叠或夹在衣服中保存。

随着社会进步和工艺发展，人们越来越注重假发的品味和健康，追求佩戴舒适和自然逼真的效果。选用健康人发为原料，经手工一根根钩织在超薄的隐形透气头皮上，令佩戴效果如同头皮长出一般。而国内知名门户人民网，曾对这种人发手工假发，请专家进行过点评，一个好的假发应该具备以下几方面要素：

1， 发源。必须使用优质特级人发。并且要根据客人本身的头发来选配，以保证颜色、曲度、粗细、质感等协调统一。


2， 底料。一定要选用环保、隐形性能好的材料。例如新近由韩发世家株式会社推出的蚕丝网、仿生膜等原料，不但取自天然动植物，而且经过高精加工后，厚度只有0.03mm，令佩戴后无法察觉任何痕迹，而且轻薄舒适。勾上头发的底料紧密附着于人的皮肤之上，仿佛毛发就从头皮长出一般，自然逼真。


3， 勾工。07年，由韩发世家推出的最新3D勾织工艺，可以达到勾上去的头发，能像自然生长的那样，任意方向随意梳理，为您真正实现各式发型轻松打造的梦想。


4， 加强型技术。传统织发补发，头发勾在网底上总有一个黑色的小结，极不美观，也不自然。最新研制的发根肤化和发迹过渡技术，使最终佩戴效果超乎想象。能使发根处的颜色，同您的皮肤浑然一体，而且前额发际线的修复，使得密度从稀到密自然过渡，真正在显微处做到了逼真再现。